This 5‑day workshop explores scenes from Waiting for Godot, Endgame and Happy Days. Judy introduces Beckett’s theatrical language, highlighting its physicality, musicality and precise staging. Conor shares his experience with Beckett productions, emphasizing rhythm, musicality and movement as essential elements of performing Beckett’s text.

​​This workshop blends Linklater’s Freeing the Natural Voice with Feldenkrais sensory‑motor learning to release habitual blocks and improve breath, resonance, clarity and strength. Using the Linklater progression, participants explore physical, breath and vibrational awareness, freeing the channel, enhancing resonance and articulation, and experiencing speaking from the whole self.​

Liam Hurley, an award‑winning collaborative writer, will draw on theatre examples from classics to contemporary Scottish work. Through exercises, prompts and provocations, participants will create original scripted material during sessions and in their own writing time, developing new ideas in response to the course’s diverse sources.

A 7‑day workshop led by Korean award‑winning director Yang Jungung, focusing on space, stage and the actor’s presence. Known for his unique devising approach, Yang guides participants in exploring precise positioning, energy flow and movement to deepen awareness and transform performance.

The workshop will introduce the essential functions of stage design and its pivotal role in performance, as well as help participants identify ideas and concepts from the text, crafting a narrative into visual language.

In this session, Adrian Noble shares thoughtful insights on working in theatre and film, offering practical guidance for directors and actors at any level. A renowned freelance director of theatre, opera and film, he previously served as Artistic Director of the Royal Shakespeare Company from 1991 to 2003.

This Feldenkrais workshop explores neutrality, breath, sensing and spaciousness to expand movement choices and reduce habitual tension. Through gentle, exploratory lessons, participants gain clearer orientation, better breathing and improved ease in performance or daily presentation. Suitable for performers and creatives, yet fully open to anyone at any fitness level.

West Kowloon, HKAPA and Theatre du Pif invite Richard Armstrong to lead a master workshop on expanding vocal range and character. With focus on breath, alignment and physical grounding, participants explore the connection between voice and the personal through improvisation with scenes, text, scores, songs and space.